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girls. If we have no associations with these sounds, they will mean very little to us. Their merit as musical performances is very slight. It is as signs of joy and love in nature, as heralds of spring, and as the spirit of the woods and fields made audible, that they appeal to us. The drumming of the woodpeckers and of the ruffed grouse give great pleasure to a countryman, though these sounds have not the quality of real music. It is the same with the call of the migrating geese or the voice of any wild thing: our pleasure in them is entirely apart from any considerations of music. Why does the wild flower, as we chance upon it in the woods or bogs, give us more pleasure than the more elaborate flower of the garden or lawn? Because it comes as a surprise, offers a greater contrast with its surroundings, and suggests a spirit in wild nature that seems to take thought of itself and to aspire to beautiful forms. The songs of caged birds are always disappointing, because such birds have nothing but their musical qualities to recommend them to us. We have separated them from that which gives quality and, meaning to their songs. One recalls Emerson's lines:-- "I thought the sparrow's note from heaven, Singing at dawn on the alder bough; I brought him home, in his nest, at even; He sings the song, but it cheers not now, For I did not bring home the river and sky;-- He sang to my ear,--they sang to my eye." I have never yet seen a caged bird that I wanted,--at least, not on account of its song,--nor a wild flower that I wished to transfer to my garden. A caged skylark will sing its song sitting on a bit of turf in the bottom of the cage; but you want to stop your ears, it is so harsh and sibilant and penetrating. But up there against the morning sky, and above the wide expanse of fields, what delight we have in it! It is not the concord of sweet sounds: it is the soaring spirit of gladness and ecstasy raining down upon us from "heaven's gate." Then, if to the time and the place one could only add the association, or hear the bird through the vista of the years, the song touched with the magic of youthful memories! One season a friend in England sent me a score of skylarks in a cage. I gave them their liberty in a field near my place. They drifted away, and I never heard them or saw them again. But one Sunday a Scotchman from a neighboring city called upon me, and declared with visible excitement that on
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