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said my friend; up, up he soars, till he becomes lost to sight at the instant that his song ends in that last mad ecstasy that just precedes his alighting." The meadowlark sings in a level flight, half hovering in the air, giving voice to a rapid medley of lark-like notes. The goldfinch also sings in a level flight, beating the air slowly with its wings broadly open, and pouring out its jubilant, ecstatic strain I think it indulges in this wing-song only in the early season. After the mother bird has begun sitting, the male circles about within earshot of her, in that curious undulating flight, uttering his "per-chic-o-pee, per-chic-o-pee," while the female calls back to him in the tenderest tones, "Yes, lovie; I hear you." The indigo-bird and the purple finch, when their happiness becomes too full and buoyant for them longer to control it, launch into the air, and sing briefly, ecstatically, in a tremulous, hovering flight. The air-song of these birds does not differ essentially from the song delivered from the perch, except that it betrays more excitement, and hence is a more complete lyrical rapture. The purple finch is our finest songster among the finches. Its strain is so soft and melodious, and touched with such a childlike gayety and plaintiveness, that I think it might sound well even in a cage inside a room, if the bird would only sing with the same joyous abandonment, which, of course, it would not do. It is not generally known that individual birds of the same species show different degrees of musical ability. This is often noticed in caged birds, among which the principle of variation seems more active; but an attentive observer notes the same fact in wild birds. Occasionally he hears one that in powers of song surpasses all its fellows. I have heard a sparrow, an oriole, and a wood thrush, each of which had a song of its own that far exceeded any other. I stood one day by a trout-stream, and suspended my fishing for several minutes to watch a song sparrow that was singing on a dry limb before me. He had five distinct songs, each as markedly different from the others as any human songs, which he repeated one after the other. He may have had a sixth or a seventh, but he bethought himself of some business in the next field, and flew away before he had exhausted his repertory. I once had a letter from Robert Louis Stevenson, who said he had read an account I had written of the song of the English blac
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