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msher, seems to have devoted herself to the care of the children. In November 1589 Barnfield matriculated at Brasenose College, Oxford, and took his degree in [v.03 p.0415] February 1592. He "performed the exercise for his master's gown," but seems to have left the university abruptly, without proceeding to the M.A. It is conjectured that he came up to London in 1593, and became acquainted with Watson, Drayton, and perhaps with Spenser. The death of Sir Philip Sidney had occurred while Barnfield was still a school-boy, but it seems to have strongly affected his imagination and to have inspired some of his earliest verses. In November 1594, in his twenty-first year, Barnfield published anonymously his first work, _The Affectionate Shepherd_, dedicated with familiar devotion to Penelope, Lady Rich. This was a sort of florid romance, in two books of six-line stanza, in the manner of Lodge and Shakespeare, dealing at large with "the complaint of Daphnis for the love of Ganymede." As the author expressly admitted later, it was an expansion or paraphrase of Virgil's second eclogue-- "Formosum pastor Corydon ardebat Alexin." This poem of Barnfield's was the most extraordinary specimen hitherto produced in England of the licence introduced from Italy at the Renaissance. Although the poem was successful, it did not pass without censure from the moral point of view. Into the conventional outlines of _The Affectionate Shepherd_ the young poet has poured all his fancy, all his epithets, and all his coloured touches of nature. If we are not repelled by the absurd subject, we have to admit that none of the immediate imitators of _Venus and Adonis_ has equalled the juvenile Barnfield in the picturesqueness of his "fine ruff-footed doves," his "speckled flower call'd sops-in-wine," or his desire "by the bright glimmering of the starry light, to catch the long-bill'd woodcock." Two months later, in January 1595, Barnfield published his second volume, _Cynthia, with certain Sonnets_, and this time signed the preface, which was dedicated, in terms which imply close personal relations, to William Stanley, the new earl of Derby. This is a book of extreme interest; it exemplifies the earliest study both of Spenser and Shakespeare. "Cynthia" itself, a panegyric on Queen Elizabeth, is written in the Spenserian stanza, of which it is probably the earliest example extant outside _The Faerie Queene_. This is followed by a sequence of twenty so
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