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s of every growth mingling with those grey ruins, creepers wreathing their fantastic garlands around the mouldering arches, gorgeous flowers flourishing in the midst of that decay! I almost forgot my search for the dear Phoebus, as I rambled with my friend Mr. Malone, the gardener, a man who would in any station be remarkable for acuteness and acquirement, amongst the august remains of the venerable abbey, with the history of which he was as conversant as with his own immediate profession. There was no speaking of smaller objects in the presence of the mighty past! Gradually chilled by so much unsuccess, the ardour of my pursuit began to abate. I began to admit the merits of other dahlias of divers colours, and actually caught myself committing the inconstancy of considering which of the four Princes of Orange I should bespeak for next year. Time, in short, was beginning to play his part as the great comforter of human afflictions, and the poor Phoebus seemed as likely to be forgotten as a last year's bonnet, or a last week's newspaper--when, happening to walk with my father to look at a field of his, a pretty bit of upland pasture about a mile off, I was struck, in one corner where the manure for dressing had been deposited, and a heap of earth and dung still remained, to be spread, I suppose, next spring, with some tall plant surmounted with bright flowers. Could it be?--was it possible?--did my eyes play me false?--No; there it was, upon a dunghill--the object of all my researches and lamentations, the identical Phoebus! the lost dahlia! End of the Project Gutenberg EBook of The Lost Dahlia, by Mary Russell Mitford *** END OF THIS PROJECT GUTENBERG EBOOK THE LOST DAHLIA *** ***** This file should be named 22837.txt or 22837.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/8/3/22837/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and t
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