he was copying Amati, Richard Duke having spent his life
in working after the Amati pattern, without attempting to model for
himself. The care bestowed by Edward Betts on his instruments was of
no ordinary kind. The workmanship throughout is of the most delicate
description; indeed, it may be said that neatness is gained at the
expense of individuality in many of his works. Each part is faultless
in finish, but when viewed as a whole the result is too mechanical,
giving as it does the notion of its having been turned out of a mould.
Nevertheless, this maker takes rank with the foremost of the English
copyists, and in his instruments we have as good specimens of
undisguised work as can be readily found. They will be yearly more
valued.
[Illustration: _Plate XVII_. THE "BETTS" STRADIVARI. 1704. (R. D.
WADDELL, ESQ.)]
BOLLES, ----, An early maker of Lutes and Viols.
BOOTH, William, 1779 to about 1858, Leeds.
BOOTH, ----, son of the above, Leeds, died 1856.
BOUCHER, ----, London, 1764.
BROWN, James, London, born 1770, died 1834. Worked with Thomas
Kennedy.
BROWN, James, London, son of the above, born 1786, died 1860.
BROWNE, John, London, about 1743. Worked at the sign of the "Black
Lion," Cornhill. Good work. Amati pattern. Scroll well cut; hard
varnish.
CAHUSAC, ----, London, 1788. Associated with the sons of Banks.
CARTER, John, London, 1789, worked with John Betts, and afterwards at
Drury Lane on his own account.
CHALLONER, Thomas, London. Similar to Wamsley.
COLE, Thomas, London, 1690.
Thomas Cole, near Fetter Lane
In Holborn, 16--
COLE, James, Manchester, 19th century.
COLLIER, Samuel, 1750.
COLLIER, Thomas, 1775.
COLLINGWOOD, Joseph, London, 1760.
CONWAY, William, 1750.
CORSBY, ----, Northampton, 1780. Chiefly made Double-Basses.
CORSBY, George. Lived upwards of half a century in Princes Street,
Leicester Square, where he worked and dealt in old instruments.
CRAMOND, Charles, Aberdeen, 19th century.
CRASK, George, Manchester. He made a large number of instruments,
chiefly imitations.
CROSS, Nathaniel, London, about 1700-50. Worked with Barak Norman. He
made several good Violins. Purfling narrow; excellent scroll.
CROWTHER, John, 1760-1810.
CUTHBERT, London, 17th century. Maker of Viols and Violins. Many of
the latter have merit. Model flat, and wood of good quality. Very dark
varnish.
DAVIDSON, Hay, Huntley, 1870.
DAVIS, Richard. Worked with No
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