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uttered not a word, she made not a movement till summoned to return to her cell. The 26th of September, 1568, at length arrived. Ere the dawn had broken in the outer world she rose from her hard pallet. Yet, hard as it was, her slumber had been calm and sweet. She knew not that it was her last day on earth. Kneeling, she lifted up her hands in prayer. She prayed for her persecutors. She prayed that the day-star might yet arise over Spain, and the Gospel be preached throughout the length and breadth of the land. The door opened. A harsh voice ordered her to rise from her knees; prayer was not for one whom the Church had excommunicated. She obeyed. A monk, with a savage gleam in his eyes, stood before her. At the door were several familiars. The monk's errand was soon told. He had come to conduct her to the courtyard where the victims destined to appear in the _auto-da-fe_ were collecting. The cruelties, the mockeries, the blasphemies of those hideous spectacles have often been described. All, all, Leonor endured, not only with patience and courage, but with a rejoicing heart. Calm and unmoved she listened to the long sermon poured forth by the Bishop of Zamora, who, from a lofty pulpit, addressed himself both to the victims and the populace. When the blasphemous ceremonies were brought to a conclusion, joy lighted up her countenance. Firmly she walked to the place of execution, and submitted without a murmur to be bound to the stake. The moment she had longed for had arrived! The flames rose up around her, and her emancipated spirit flew to rejoin her beloved husband, and to be for ever with their Lord. THE END. End of the Project Gutenberg EBook of The Last Look, by W.H.G. Kingston *** END OF THIS PROJECT GUTENBERG EBOOK THE LAST LOOK *** ***** This file should be named 21395.txt or 21395.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/3/9/21395/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to co
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