y good-will was
content to espouse itself to that image. But because Love is not born
suddenly, nor grows great nor comes to perfection in haste, but
desires time and food for thought, especially there where there are
antagonistic thoughts which impede it, there must needs be, before
this new Love could be perfect, a great battle between the thought of
its food and of that which was antagonistic to it, which still held
the fortress of my mind for that glorious Beatrice. For the one was
succoured on one side continually by the ever-present vision, and the
other on the opposite side by the memory of the past. And the help of
the ever-present sight increased each day, which memory could not do,
in opposing that which to a certain degree prevented me from turning
the face towards the past. Wherefore it seemed to me so wonderful, and
also so hard to endure, that I could not support it, and with a loud
cry (to excuse myself from the struggle, in which it seemed to me that
I had failed in courage) I lifted up my voice towards that part whence
came the victory of the new thought, which was full of virtuous power,
even the power of celestial virtue; and I began to say: "You! who the
third Heaven move, intent of thought." For the intelligent
understanding of which Song, one must first know its divisions well,
so that it will then be easy to perceive its meaning.

In order that it may no longer be necessary to preface the
explanations of the others, I say that the order which will be taken
in this Treatise I intend to keep through all the others. I say, then,
that the proposed Song is contained within three principal parts. The
first is the first verse of that, in which certain Intelligences are
induced to listen to what I intend to say, or rather by a more usual
form of speech we should call them Angels, who are in the revolution
of the Heaven of Venus, as the movers thereof. The second is in the
lines which follow after the first, in which is made manifest that
which I felt spiritually amidst various thoughts. The third is in the
last lines, wherein the man begins to speak to the work itself, as if
to comfort it, as it were, and all these three parts are in due order
to be demonstrated, as has been said above.

CHAPTER III.

That we may more easily perceive the Literal meaning of the first
division, to which we now attend, it is requisite to know who and what
are those who are summoned to my audience, and what is that