gives us some information about him that
history can seriously consider. The play represents Agnimitra's
father, the founder of the Sunga dynasty, as still living. As the seat
of empire was in Patna on the Ganges, and as Agnimitra's capital is
Vidisha--the modern Bhilsa--it seems that he served as regent of
certain provinces during his father's lifetime. The war with the King
of Vidarbha seems to be an historical occurrence, and the fight with
the Greek cavalry force is an echo of the struggle with Menander, in
which the Hindus were ultimately victorious. It was natural for
Kalidasa to lay the scene of his play in Bhilsa rather than in the
far-distant Patna, for it is probable that many in the audience were
acquainted with the former city. It is to Bhilsa that the poet refers
again in _The Cloud-Messenger_, where these words are addressed to the
cloud:
At thine approach, Dasharna land is blest
With hedgerows where gay buds are all aglow,
With village trees alive with many a nest
Abuilding by the old familiar crow,
With lingering swans, with ripe rose-apples' darker show.
There shalt thou see the royal city, known
Afar, and win the lover's fee complete,
If thou subdue thy thunders to a tone
Of murmurous gentleness, and taste the sweet,
Love-rippling features of the river at thy feet.
Yet in Kalidasa's day, the glories of the Sunga dynasty were long
departed, nor can we see why the poet should have chosen his hero and
his era as he did.
There follows an analysis of the plot and some slight criticism.
In addition to the stage-director and his assistant, who appear in the
prologue, the characters of the play are these:
AGNIMITRA, _king in Vidisha_.
GAUTAMA, _a clown, his friend_.
GANADASA }
} _dancing-masters_.
HARADATTA }
DHARINI, _the senior queen_.
IRAVATI, _the junior queen_.
MALAVIKA, _maid to Queen Dharini, later discovered to be a princess_.
KAUSHIKI, _a Buddhist nun_.
BAKULAVALIKA, _a maid, friend of Malavika_.
NIPUNIKA, _maid to Queen Iravati_.
_A counsellor, a chamberlain, a humpback, two court poets, maids,
and mute attendants_.
The scene is the palace and gardens of King Agnimitra, the time a few
days.
ACT I.--After the usual prologue, the maid Bakulavalika appears with
another maid. From their conversation we learn that King Agnimitra has
seen in the palace picture-gallery a new painting of Q
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