e of a certain herdsman sings as Krishna sounds a tune of love
Krishna here disports himself with charming women given to love.'

In the picture, Radha sits beneath a flowering tree, conversing with the
friend while, to the right, Krishna plays the flute to a circle of adoring
girls.

The painting is by a Kangra master, perhaps Kushala, the nephew of the
Guler artist, Nainsukh, and illustrates the power of Kangra painters to
imbue with innocent delicacy the most intensely emotional of situations.
It was the investment of passion with dignity which was one of the chief
contributions of Kangra painting to Indian art.

[Illustration]

PLATE 22

_Krishna dancing with the Cowgirls_

Illustration to the _Gita Govinda_
Western Rajasthan, c. 1610
N.C. Mehta collection, Bombay

Besides describing Krishna's flute-playing, Radha's friend gives her an
account of his love-making.

'An artless woman looks with ardour on Krishna's lotus face.'
'Another on the bank of the Jumna, when Krishna goes to a bamboo
thicket,
Pulls at his garment to draw him back, so eager is she for amorous
play.'
'Krishna praises another woman, lost with him in the dance of love,
The dance where the sweet low flute is heard in the clamour of
bangles on hands that clap. He embraces one woman, he kisses
another, and fondles another beautiful one.'
'Krishna here disports himself with charming women given to love.'

The present picture illustrates phases of this glamorous love-making--Krishna
embracing one woman, dancing with another and conversing with a third. The
background is a diagram of the forest as it might appear in spring--the
slack looseness of treatment befitting the freedom of conduct adumbrated
by the verse. The large insects hovering in the branches are the black
bees of Indian love-poetry whose quest for flowers was regarded as
symbolic of urgent lovers pestering their mistresses. In style the picture
illustrates the Jain painting of Western India after its early angular
rigidity had been softened by application to tender and more romantic
themes.

[Illustration]

PLATE 23

_Krishna seated with the Cowgirls_

Illustration to the _Gita Govinda_
Jaunpur, Eastern India, c. 1590
Prince of Wales Museum, Bombay

After flute-playing and dancing (Plates 21 and 22), Krishna sits with the
cowgirls.

'With his limbs, tender and dark like rows of clumps of blue lotus
flowers.
By herd girls su