, if
indulged in by men, might well have been wrong. He had given practical
expression to romantic longings and had behaved with all the passionate
freedom normally stifled by social duty, conjugal ethics and family
morals. From this point of view, Krishna the prince was a mere pillar of
boring respectability. Nothing in his conduct could arouse delight for
everything he did was correct and proper. Krishna the cowherd on the
other hand, was spontaneous, irresponsible and free. His love for the
cowgirls had had a lively freedom. The love between them was nothing if
not voluntary. His whole life among the cowherds was simple, natural and
pleasing and as their rapturous lover nothing was more obvious than that
the cowgirls should adore him. In dwelling, then, on Krishna, it was
natural that the worshipper should tend to disregard the prince and should
concentrate instead on the cowherd. The prince had revered Brahmans and
supported established institutions. The cowherd had shamed the Brahmans of
Mathura and discredited ceremonies and festivals. He had loved and been
loved and in his contemplation lay nothing but joy. The loves of Krishna,
in fact, were an intimate fulfilment of Indian desires, an exact
sublimation of intense romantic needs and while other factors must
certainly have played their part, this is perhaps the chief reason why,
at this juncture, they now enchanted village and courtly India.

The results of this new approach are apparent in two distinct ways. The
_Bhagavata Purana_ continues to be the chief chronicle of Krishna's
acts but the last half of Book Ten and all of Book Eleven fall into
neglect.[49] In their place, the story of Krishna's relations with the
cowgirls is given new poignancy and precision. Radha is constantly
mentioned and in all the incidents in the _Purana_ involving cowgirls,
it is she who is given pride of place. At the river Jumna, when Krishna
removes the cowgirls' clothes, Radha begs him to restore them. At the
circular dance in which he joins with all the cowgirls, Radha receives his
first attentions, dancing with him in the centre. When Krishna is about to
leave for Mathura, it is Radha who heads the cowgirls and strives to detain
him. She serves, in fact, as a symbol of all the cowgirls' love. At the
same time, she is very far from being merely their spokesman or leader and
while the later texts dwell constantly on her rapturous love-making with
Krishna, they also describe her jeal