e, the _kalpa_ or
_parijata_, which grew in Indra's heaven, was believed to make the old
young.]

(iii) Last Phases

This gradual expansion of his marital state takes Krishna even farther
from the adoring loves of his youth, the cowgirls of Brindaban. Indeed for
months on end it is as if he has dismissed them from his mind. One day he
and Balarama are sitting together when Balarama reminds him of their
promise that after staying for a time in Mathura they will assuredly visit
them. Krishna, it is clear, cannot go himself, but Balarama is less
impeded and with Krishna's approval, he takes a ploughshare and pestle,
mounts a chariot and speeds on his way.

As he nears Brindaban, the familiar scenes greet him. The cowherds and
cowgirls come into view, but instead of joy there is general despair. The
cows low and pant, rejecting the grass. The cowherds are still discussing
Krishna's deeds and the cowgirls cannot expel him from their minds. As
Balarama enters their house, Nanda and Yasoda weep with joy. Balarama is
plied with questions about Krishna's welfare and when he answers that all
is well, Yasoda describes the darkness that has descended on them since
the joy of their hearts left. Balarama now meets the cowgirls. Their hair
is disordered, they are no longer neat and smart. Their minds are not in
their work and despite Krishna's absence, they are filled with passionate
longings and frenzied desires. Some of them marvel at Krishna's love and
count it good even to have known him. Others bitterly upbraid Krishna for
deserting them. Balarama explains that his visit is to show them that
Krishna has not entirely forgotten them and as proof he offers to re-enact
the circular dance and himself engage with them as lover.

In this way the circular dance is once again performed. The full moon
pours down, the cowgirls deck themselves and songs rise in the air. Flutes
and drums play and in the midst of the throng Balarama sings and dances,
clasping the cowgirls to him, making love and rousing them to ecstasy.
Night after night the dance is performed, while each day Balarama comforts
Nanda and Yasoda with news of Krishna. One night as his visit is ending,
he feels exhausted and commands the river Jumna to change its course and
bathe him with its water. The Jumna fails to comply, so Balarama draws the
river towards him with his plough and bathes in its stream. From that time
on, the Jumna's course is changed. His exhaustion n