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the high quality of the work achieved by the Villani it is only necessary to turn the pages of some early chronicles of sister cities which still breathe the spirit of unintelligent mediaeval industry, before the method of history had been critically apprehended. The naivete of these records may be appreciated by the following extracts. A Roman writes[2]: 'I Lodovico Bonconte Monaldeschi was born in Orvieto, and was brought up in the city of Rome, where I have resided. I was born in the year 1327, in the month of June, at the time when the Emperor Lodovico came. Now I wish to relate the whole history of my age, seeing that I lived one hundred and fifteen years without illness, except that when I was born I fainted, and I died of old age, and remained in bed twelve months on end.' Burigozzo's Chronicle of Milan, again, concludes with these words:[3] 'As you will see in the Annals of my son, inasmuch as the death which has overtaken me prevents my writing more.' Chronicles conceived and written in this spirit are diaries of events, repertories of strange stories, and old wives' tales, without a deep sense of personal responsibility, devoid alike of criticism and artistic unity. Very different is the character of the historical literature which starts into being in Florence at the opening of the fourteenth century. [1] See Paul Scheffer-Boichorst, _Florentiner Studien_, Leipzig, 1874, Carl Hegel, in his defense of Compagni, _Die Chronik des Dino Compagni, Versuch einer Rettung_, Leipzig, 1875, admits the proof of spuriousness. See the preface, p. v. The point, however, is still disputed by Florentine scholars of high authority. Gino Capponi, in his _Storia della Repubblica di Firenze_ (vol. i. Appendix, final note), observes that while the Villani are popular in tone the Malespini Chronicle is feudal. Adolfo Bartoli (_Storia della Lett. It._ vol. iii. p. 155) treats the question as still open. The custom of preserving brief _fasti_ in the archives of great houses rendered such compilations as the Malespini Chronicle is now supposed to have been both easy and attractive. The Christian name _Ricordano_ given to the first Malespini annalist does not exist. It has been suggested that it is due to a misreading of an initial sentence, _Ricordano i Malespini_. [2] Muratori, vol. xii. p. 529. [3] _Arch. Stor._ vol. iii. p. 552. Both Monaldeschi and Burig
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