of collecting together to remember their leaders: these meetings
are termed Mudgelluss[8] (mourning assemblies). It would be esteemed
indecorous or disrespectful to the Emaums, if any one in error called
these assemblies Moollakhaut,[9] the usual term for mere worldly visiting.
The Tazia is placed against the wall on the side facing Mecca, under a
canopy of rich embroidery. A reading-desk or pulpit (mhembur[10]) is
placed in a convenient situation, for the reader to face Mecca, and his
voice to be heard by the whole assembly of people; it is constructed of
silver, ivory, ebony, &c. to correspond with the Tazia, if possible: the
steps are covered sometimes with gold-cloth, or broad-cloth of black, or
green,[11] if a Syaad's property, being the colour worn by that race for
mourning. The shape of a mhembur is a flight of steps with a flat top,
without any railing or enclosed place; the reader, in his recitings,
occasionally sitting on the steps, or standing, as may be most convenient
to himself.
On the walls of the Emaum-baarah, mirrors and looking-glasses are fixed in
suitable situations to give effect to the brilliant display of light, from
the magnificent chandeliers suspended from the cupola and cornices. The
nobles and the wealthy are excited with a desire to emulate each other in
the splendour of their display on these occasions;--all the mirrors, glass,
lustres, chandeliers, &c. are brought together to this place, from their
several stations in the mansion; and it is due to them to admit the effect
to be often imposingly grand, and the blaze of light splendid. I have
frequently been reminded in these scenes of the visionary castles conjured
to the imagination, whilst reading 'The Arabian Nights' Entertainments'.
On each side the Tazia--the whole length of the wall--banners are ranged,
in great variety of colour and fabric; some of them are costly and
splendid. I have seen many constructed of the richest embroidery, on silk
grounds, of gold and silver, with massy gold fringes, cords, and tassels;
the staff is cased with gold or silver, worked into figures of birds and
other animals, in every variety; the top of which has a crest, in some a
spread hand,[12] in others a sort of plume, and not unfrequently a crest
resembling a grenade, formed of the precious metals, and set with stones
of great value.
On the base of the Tazia the several articles are placed conceived likely
to have been used by Hosein at Kraabaal
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