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tinguished by literary excellence as well as by scholarly accuracy. _Crown 8vo. Finely printed and bound in blue buckram._ CICERO--De Oratore I. Translated by E.N.P. MOOR, M.A., Assistant Master at Clifton. _3s. 6d._ AESCHYLUS--Agamemnon, Choeephoroe, Eumenides. Translated by LEWIS CAMPBELL, LL.D., late Professor of Greek at St. Andrews. _5s._ LUCIAN--Six Dialogues (Nigrinus, Icaro-Menippus, The Cock, The Ship, The Parasite, The Lover of Falsehood). Translated by S.T. IRWIN, M.A., Assistant Master at Clifton; late Scholar of Exeter College, Oxford. _3s. 6d._ SOPHOCLES--Electra and Ajax. Translated by E.D.A. MORSHEAD, M.A., late Scholar of New College, Oxford; Assistant Master at Winchester. _2s. 6d._ TACITUS--Agricola and Germania. Translated by R.B. TOWNSHEND, late Scholar of Trinity College, Cambridge. _2s. 6d._ CICERO--Select Orations (Pro Milone, Pro Murena, Philippic II., In Catilinam). Translated by H.E.D. BLAKISTON, M.A., Fellow and Tutor of Trinity College, Oxford. _5s._ End of the Project Gutenberg EBook of The Stolen Bacillus and Other Incidents by H. G. (Herbert George) Wells *** END OF THIS PROJECT GUTENBERG EBOOK THE STOLEN BACILLUS *** ***** This file should be named 12750.txt or 12750.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/7/5/12750/ Produced by Elaine Walker, Josephine Paolucci and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with
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