igh;--a woman can climb over it, and drop or leap into the dark
stream lying in deep shadow under the arches. Women take this leap
often. The angels hear them like the splash of drops of blood out of the
heart of our humanity. In the distance, wharves, storehouses, stately
edifices, steeples, and rising proudly above them, "like a tall bully,"
London Monument.
Here we are, close to the Monument. Tall, square base, with reliefs,
fluted columns, queer top;--looks like an inverted wineglass with a
shaving-brush standing up on it: representative of flame, probably.
Below this the square _cage_ in which people who have climbed the stairs
are standing; seems to be ten or twelve feet high, and is barred or
wired over. Women used to jump off from the Monument as well as from
London Bridge, before they made the cage safe in this way.
"Holloa!" said a man standing in the square one day, to his
companion,--"there's the flag coming down from the Monument!"
"It's no flag," said the other, "it's a woman!"
Sure enough, and so it was.
Nobody can mistake the four pepper-boxes, with the four weathercocks on
them, surmounting the corners of a great square castle, a little way
from the river's edge. That is the Tower of London. We see it behind the
masts of sailing-vessels and the chimneys of steamers, gray and misty in
the distance. Let us come nearer to it. Four square towers, crowned by
four Oriental-looking domes, not unlike the lower half of an inverted
balloon: these towers at the angles of a square building with buttressed
and battlemented walls, with two ranges of round-arched windows on the
side towards us. But connected with this building are other towers,
round, square, octagon, walls with embrasures, moats, loop-holes,
turrets, parapets,--looking as if the beef-eaters really meant to hold
out, if a new army of Boulogne should cross over some fine morning. We
can't stop to go in and see the lions this morning, for we have come in
sight of a great dome, and we cannot take our eyes away from it.
That is St. Paul's, the Boston State-House of London. There is a
resemblance in effect, but there is a difference in dimensions,--to the
disadvantage of the native edifice, as the reader may see in the plate
prefixed to Dr. Bigelow's "Technology." The dome itself looks light
and airy compared to St. Peter's or the Duomo of Florence, not only
absolutely, but comparatively. The colonnade on which it rests divides
the honors with
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