asmere. A plain slab, with
nothing but his name. Next him lies Dora, his daughter, beneath a taller
stone bordered with a tracery of ivy, and bearing in relief a lamb and
a cross. Her husband lies next in the range. The three graves have just
been shorn of their tall grass,--in this other view you may see them
half-hidden by it. A few flowering stems have escaped the scythe in the
first picture, and nestle close against the poet's headstone. Hard by
sleeps poor Hartley Coleridge, with a slab of freestone graven with a
cross and a crown of thorns, and the legend, "By thy Cross and Passion,
Good Lord, deliver us."[A] All around are the graves of those whose
names the world has not known. This view, (302,) from above Rydal Mount,
is so Claude-like, especially in its trees, that one wants the solemn
testimony of the double-picture to believe it an actual transcript of
Nature. Of the other English landscapes we have seen, one of the most
pleasing on the whole is that marked 43,--Sweden Bridge, near Ambleside.
But do not fail to notice St. Mary's Church (101) in the same
mountain-village. It grows out of the ground like a crystal, with
spur-like gables budding out all the way up its spire, as if they were
ready to flower into pinnacles, like such as have sprung up all over the
marble multiflora of Milan.
[Footnote A: Miss Martineau, who went to his funeral, and may be
supposed to describe after a visit to the churchyard, gives the
inscription incorrectly. See Atlantic Monthly for May, 1861, p. 552.
Tourists cannot be trusted; stereographs can.]
And as we have been looking at a steeple, let us flit away for a moment
and pay our reverence at the foot of the tallest spire in England,--that
of Salisbury Cathedral. Here we see it from below, looking up,--one of
the most striking pictures ever taken. Look well at it; Chichester has
just fallen, and this is a good deal like it,--some have thought raised
by the same builder. It has bent somewhat (as you may see in these other
views) from the perpendicular; and though it has been strengthened with
clamps and framework, it must crash some day or other, for there has
been a great giant tugging at it day and night for five hundred years,
and it will at last shut up into itself or topple over with a sound and
thrill that will make the dead knights and bishops shake on their stone
couches, and be remembered all their days by year-old children. This is
the first cathedral we ever saw, an
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