ery one of them will be as still as the
_tableau_ in the "Enchanted Beauty." Yet the hurried day's life of
Broadway will have been made up of just such stillnesses. Motion is as
rigid as marble, if you only take a wink's worth of it at a time.
We are all ready to embark now. Here is the harbor; and there lies the
Great Eastern at anchor,--the biggest island that ever got adrift.
Stay one moment,--they will ask us about secession and the revolted
States,--it may be as well to take a look at Charleston, for an instant,
before we go.
These three stereographs were sent us by a lady now residing in
Charleston. The Battery, the famous promenade of the Charlestonians,
since armed with twenty-four-pounders facing Fort Sumter; the interior
of Fort Moultrie, with the guns spiked by Major Anderson; and a more
extensive view of the same interior, with the flag of the seven stars,
(corresponding to the seven deadly sins,)--the free end of it tied to
a gun-carriage, as if to prevent the winds of the angry heaven from
rending it to tatters. In the distance, to the right, Fort Sumter,
looking remote and inaccessible,--the terrible rattle which our foolish
little spoiled sister Caroline has insisted on getting into her
rash hand. How ghostly, yet how real, it looms up out of the dim
atmosphere,--the guns looking over the wall and out through the
embrasures,--meant for a foreign foe,--this very day (April 13th) turned
in self-defence against the children of those who once fought for
liberty at Fort Moultrie! It is a sad thought that there are truths
which can be got out of life only by the _destructive analysis_ of war.
Statesmen deal in _proximate principles_,--unstable compounds; but war
reduces facts to their simple elements in its red-hot crucible, with its
black flux of carbon and sulphur and nitre. Let us turn our back on this
miserable, even though inevitable, fraternal strife, and, closing our
eyes for an instant, open them in London.
Here we are at the foot of Charing Cross. You remember, of course, how
this fine equestrian statue of Charles I. was condemned to be sold and
broken up by the Parliament, but was buried and saved by the brazier who
purchased it, and so reappeared after the Restoration. To the left, the
familiar words "Morley's Hotel" designate an edifice about half windows,
where the plebeian traveller may sit and contemplate Northumberland
House opposite, and the straight-tailed lion of the Percys surmounting
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