halberders attacked him on one side, and the knight on the
other. He snatched an axe from one, and turned to the knight and smote
him, so that he had no need of a surgeon."--Southey's _Amadis of Gaul_,
vol. i. p. 146.]
[Footnote 2:
"Sonsi i nostri dottori accordati,
Pigliando tutti una conclusione,
Che que' che son nel ciel glorificati,
S' avessin nel pensier compassione
De' miseri parenti che dannati
Son ne lo inferno in gran confusione,
La lor felicita nulla sarebbe
E vedi the qui ingiusto Iddio parebbe.
Ma egli anno posto in Gesu ferma spene;
E tanto pare a lor, quanto a lui pare:
Afferman cio ch' e' fu, che facci bene,
E che non possi in nessun modo errare:
Se padre o madre e ne l'eterne pene,
Di questo non si posson conturbare:
Che quel che piace a Dio, sol piace a loro
Questo s'osserva ne l'eterno core.
Al savio suol bastar poche parole,
Disse Morgante: tu il potrai vedere,
De' miei fratelli, Orlando, se mi duole,
E s'io m'accordero di Dio al volere,
Come tu di che in ciel servar si suole:
Morti co' morti; or pensiam di godere:
Io vo' tagliar le mani a tutti quanti,
E porterolle a que' monaci santi."
This doctrine, which is horrible blasphemy in the eyes of natural
feeling, is good reasoning in Catholic and Calvinistic theology.
They first make the Deity's actions a necessity from some barbarous
assumption, then square them according to a dictum of the Councils, then
compliment him by laying all that he has made good and kindly within us
mangled and mad at his feet. Meantime they think themselves qualified to
denounce Moloch and Jugghanaut!]
[Footnote 3:
"E furno al here infermi, al mangiar sani."
I am not sure that I am right in my construction of this passage.
Perhaps Pulci means to say, that they had the appetites of men in
health, and the thirst of a fever.]
[Footnote 5: Cagnazzo, Farfarello. Libicocco, and Malacoda; names of
devils in Dante.]
[Footnote 6: "Il maestro di color che sanno." A jocose application of
Dante's praise of Aristotle.]
[Footnote 7: "O vita nostra, debole e fallace!"]
THE
BATTLE OF RONCESVALLES.
Notice.
This is the
"sad and fearful story
Of the Roncesvalles fight;"
an event which national and religious exaggeration impressed deeply on
the popular mind of Europe. Hence Italian romances and Spanish ballads:
hence the famous passage in Milton,
"When Charlemain with all his peerag
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