much greater (Scardeone _De
Antiquitatibus Orbis Patavinae_), say that he died miserably in Padua,
and was refused Christian burial on account of his impieties. It is
not improbable that, during the eclipse of the fortunes of the Medici
family, after the death of Lorenzo, Pulci may have partaken of its
troubles; and there is certainly no knowing how badly his or their
enemies may have treated him; but miserable ends are a favourite
allegation with theological opponents. The Calvinists affirm of their
master, the burner of Servetus, that he died like a saint; but I
have seen a biography in Italian, which attributed the most horrible
death-bed, not only to the atrocious Genevese, but to the genial Luther,
calling them both the greatest villains (_sceleratissimi_); and adding,
that one of them (I forget which) was found dashed on the floor of his
bedroom, and torn limb from limb.

Pulci appears to have been slender in person, with small eyes and a
ruddy face. I gather this from the caricature of him in the poetical
paper-war carried on between him and his friend Matteo Franco, a
Florentine canon, which is understood to have been all in good
humour--sport to amuse their friends--a perilous speculation. Besides
his share in these verses, he is supposed to have had a hand in his
brother's romance, and was certainly the author of some devout poems,
and of a burlesque panegyric on a country damsel, _La Beca_, in
emulation of the charming poem _La Nencia_, the first of its kind,
written by that extraordinary person, his illustrious friend Lorenzo,
who, in the midst of his cares and glories as the balancer of the power
of Italy, was one of the liveliest of the native wits, and wrote songs
for the people to dance to in Carnival time.

The intercourse between Lorenzo and Pulci was of the most familiar kind.
Pulci was sixteen years older, but of a nature which makes no such
differences felt between associates. He had known Lorenzo from the
latter's youth, probably from his birth--is spoken of in a tone of
domestic intimacy by his wife--and is enumerated by him among his
companions in a very special and characteristic manner in his poem on
Hawking _(La Caccia col Falcone_), when, calling his fellow-sportsmen
about him, and missing Luigi, one of them says that he has strolled into
a neighbouring wood, to put something which has struck his fancy into a
sonnet:

"'Luigi Pulci ov' e, che non si sente?' 'Egli se n' ando dianzi in quel