to pretend that there are not things in Chaucer which a boy would
be the better for not reading; and so far as these words of mine shall be
taken for counsel, I am not willing that they should unqualifiedly praise
him. The matter is by no means simple; it is not easy to conceive of a
means of purifying the literature of the past without weakening it, and
even falsifying it, but it is best to own that it is in all respects just
what it is, and not to feign it otherwise. I am not ready to say that
the harm from it is positive, but you do get smeared with it, and the
filthy thought lives with the filthy rhyme in the ear, even when it does
not corrupt the heart or make it seem a light thing for the reader's
tongue and pen to sin in kind.
I loved my Chaucer too well, I hope, not to get some good from the best
in him; and my reading of criticism had taught me how and where to look
for the best, and to know it when I had found it. Of course I began to
copy him. That is, I did not attempt anything like his tales in kind;
they must have seemed too hopelessly far away in taste and time, but I
studied his verse, and imitated a stanza which I found in some of his
things and had not found elsewhere; I rejoiced in the freshness and
sweetness of his diction, and though I felt that his structure was
obsolete, there was in his wording something homelier and heartier than
the imported analogues that had taken the place of the phrases he used.
I began to employ in my own work the archaic words that I fancied most,
which was futile and foolish enough, and I formed a preference for the
simpler Anglo-Saxon woof of our speech, which was not so bad. Of course,
being left so much as I was to my own whim in such things, I could not
keep a just mean; I had an aversion for the Latin derivatives which was
nothing short of a craze. Some half-bred critic whom I had read made me
believe that English could be written without them, and had better be
written so, and I did not escape from this lamentable error until I had
produced with weariness and vexation of spirit several pieces of prose
wholly composed of monosyllables. I suspect now that I did not always
stop to consider whether my short words were not as Latin by race as any
of the long words I rejected, and that I only made sure they were short.
The frivolous ingenuity which wasted itself in this exercise happily
could not hold out long, and in verse it was pretty well helpless from
the beginn
|