y of your love, and presented her, as it were, with cosmical
cosmetics, and compliments drawn from the starry spaces and deserts, from
skies, phoenixes, and angels. But it was a natural and pretty way of
writing when Thomas Carew was young. I prefer Herrick the inexhaustible
in dainties; Herrick, that parson-pagan, with the soul of a Greek of the
Anthology, and a cure of souls (Heaven help them!) in Devonshire. His
Julia is the least mortal of these "daughters of dreams and of stories,"
whom poets celebrate; she has a certain opulence of flesh and blood, a
cheek like a damask rose, and "rich eyes," like Keats's lady; no vaporous
Beatrice, she; but a handsome English wench, with
"A cuff neglectful and thereby
Ribbons to flow confusedly;
A winning wave, deserving note
In the tempestuous petticoat."
Then Suckling strikes up a reckless military air; a warrior he is who has
seen many a siege of hearts--hearts that capitulated, or held out like
Troy-town, and the impatient assailant whistles:
"Quit, quit, for shame: this will not move,
This cannot take her.
If of herself she will not love,
Nothing can make her--
The devil take her."
So he rides away, curling his moustache, hiding his defeat in a big
inimitable swagger. It is a pleasanter piece in which Suckling, after a
long leaguer of a lady's heart, finds that Captain honour is governor of
the place, and surrender hopeless. So he departs with a salute:
"March, march (quoth I), the word straight give,
Let's lose no time but leave her:
That giant upon air will live,
And hold it out for ever."
Lovelace is even a better type in his rare good things of the military
amorist and poet. What apology of Lauzun's, or Bussy Rabutin's for
faithlessness could equal this?--
"Why dost thou say I am forsworn,
Since thine I vowed to be?
Lady, it is already morn;
It was last night I swore to thee
That fond impossibility."
Has "In Memoriam" nobler numbers than the poem, from exile, to Lucasta?--
"Our Faith and troth
All time and space controls,
Above the highest sphere we meet,
Unseen, unknown, and greet as angels greet."
How comes it that in the fierce fighting days the soldiers were so
tuneful, and such scholars? In the first edition of Lovelace's "Lucasta"
there is a flock of recommendatory verses, English, Latin, even Greek, by
the gallant Colonel's mess-ma
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