Paulmy, there is no other difference between an ancient and a modern
farm-house than arises from the introduction of tiled roofs.[684] In the
original work of Crescentio, a native of Bologna, who composed this
treatise on rural affairs about the year 1300, an Italian farm-house,
when built at least according to his plan, appears to have been
commodious both in size and arrangement.[685] Cottages in England seem
to have generally consisted of a single room without division of
stories. Chimneys were unknown in such dwellings till the early part of
Elizabeth's reign, when a very rapid and sensible improvement took place
in the comforts of our yeomanry and cottagers.[686]
[Sidenote: Ecclesiastical architecture.]
It must be remembered that I have introduced this disadvantageous
representation of civil architecture, as a proof of general poverty and
backwardness in the refinements of life. Considered in its higher
departments, that art is the principal boast of the middle ages. The
common buildings, especially those of a public kind, were constructed
with skill and attention to durability. The castellated style displays
these qualities in great perfection; the means are well adapted to
their objects, and its imposing grandeur, though chiefly resulting no
doubt from massiveness and historical association, sometimes indicates a
degree of architectural genius in the conception. But the most
remarkable works of this art are the religious edifices erected in the
twelfth and three following centuries. These structures, uniting
sublimity in general composition with the beauties of variety and form,
intricacy of parts, skilful or at least fortunate effects of shadow and
light, and in some instances with extraordinary mechanical science, are
naturally apt to lead those antiquaries who are most conversant with
them into too partial estimates of the times wherein they were founded.
They certainly are accustomed to behold the fairest side of the picture.
It was the favourite and most honourable employment of ecclesiastical
wealth, to erect, to enlarge, to repair, to decorate cathedral and
conventual churches. An immense capital must have been expended upon
these buildings in England between the Conquest and the Reformation. And
it is pleasing to observe how the seeds of genius, hidden as it were
under the frost of that dreary winter, began to bud in the first
sunshine of encouragement. In the darkest period of the middle ages,
especi
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