"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but,
"Cut us another slice.
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick.
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but,
"The butter's spread too thick!"
"I weep for you," the Walrus said;
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter,
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And this was scarcely odd, because
They'd eaten every one.
We must not deny to humor and fancy the opportunity for creative effort
offered to other faculties in our previous studies. What form shall the
effort take: fable, fairy tale, a whimsical play of fancy in essay, or
merely a nonsense rhyme? I think we must bar the _limerick_ from our
serious creative efforts in the study. You may engage as a class in an
extemporaneous contest in the making of this infectious form of verse if
you like.
Meanwhile, there is still another class-room test of humor which should
be made,--the test of the clever anecdote. There is nothing which so
effectually discloses the quality of your sense of humor as your
attitude toward so-called funny stories. Judgment in such a case will
rest upon three points: What you think is "funny" enough to tell; when
you judge it "apropos" to tell; and the manner of the telling. Three
warnings are in order at this point. If you find that you must preface
your anecdote with the question too often heard, "Do you think you can
stand this story?--it really _is_ clever," in the name of clean humor,
don't tell it! If you find you must introduce your anecdote with the
remark, "Apropos of nothing," or "This is not apropos, but"--in the name
of "sulphitic" humor, don't tell it; finally, if you don't know _how_ to
tell it, in the name of any and all humor, _don't tell it_.
With these cautions in mind, I shall ask you to bring to class to-morrow
your best three "funny stories." Conflicting choice is not likely to
have appropriated all three of your favorite anecdotes. Should you find
that it has done so, never mi
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