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Strodtmann: _H. Heine_, Vol. I., p. 316. [90] Zunz, _Gesammelte Schriften_, Vol. I., p. 3 _ff._ [91] _Ibid._, p. 301. [92] _Ibid._, p. 310. [93] _Ibid._, p. 316. [94] _Ibid._, p. 133. [95] Cmp. _Memoiren_ in his Collected Works, Vol. VI., p. 375 _ff._ [96] Ludwig Kalisch, _Pariser Skizzen_, p. 331. [97] Collected Works, Vol. IV., p. 227. [98] _Ibid._, Vol. III., p. 13. [99] _Ibid._, Vol. IV., p. 257 _ff._ [100] _Ibid._, Vol. VIII., p. 390 _ff._ [101] _Ibid._, Vol. I., p. 196. [102] Vol. II., p. 110. Cmp. Frauenstaedt, _A. Schopenhauer_, p. 467 _ff._ [103] Collected Works, Vol. VII., p. 255 _ff._ [104] Alfred Meissner, _Heinrich Heine_, p. 138 _ff._ [105] Ludwig Kalisch, _Pariser Skizzen_, p. 334. [106] Collected Works, Vol. VII., 473 _ff._ [107] Address at the celebration of Herr Lewandowski's fiftieth anniversary as director of music. [108] _Yoma_, 38_a_. [109] Cmp. Fetis, _Histoire generale de la Musique_, Vol. I., p. 563 _ff._ End of the Project Gutenberg EBook of Jewish Literature and Other Essays, by Gustav Karpeles *** END OF THIS PROJECT GUTENBERG EBOOK JEWISH LITERATURE AND OTHER ESSAYS *** ***** This file should be named 27901.txt or 27901.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/9/0/27901/ Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This book was produced from scanned images of public domain material from the Google Print project.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They
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