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d several poems of remarkable merit, referring to the war. In the present we have a work of higher ambition, and one which is truly well done. In it the horrors of slavery, the iniquitous abuses to which it so often gives rise--the tortures, vengeances, murders, and fiendish punishments, which in their turn follow the crime--are portrayed with striking truthfulness and real power. The author is evidently no Abolitionist on hear-say--the whole poem gives evidence of practical familiarity with 'the institution,' and the sense of truth has inspired his pen in many passages with wonderful power. The terrible sufferings of an _almost_ white man and slave as here portrayed, his revenge and punishment at the stake, are as moving as they are manifestly true to life. We commend this little pamphlet-poem to every friend of freedom, and sincerely trust that it will attain the large circulation which it deserves. SKETCHES OF THE RISE, PROGRESS, AND DECLINE OF SECESSION. With a Narrative of Personal Adventures among the Rebels. By W.G. BROWNLOW, Editor of the _Knoxville Whig_. Philadelphia: Geo. W. Childs. 1862. A decided character this 'Parson Brownlow,' and a representative man; truly and bravely American, very Western in his traits; a man fond of fierce argument and tough antagonisms, and not fearing the death either by halter or revolver, which he will probably meet some day, for the sake of Jehovah and his own stern convictions. Not exactly a man of _salons_ and elegant _reunions_--yet full of real courtesies and gifted with the kind heart of a true hater of wickedness, which flashes into fury at witnessing deeds of cruelty and shame. And he has seen many such--seen what few have done and lived--he has passed through a life's warfare with men of his own grim obstinacy without his own honesty and stern Puritan-like morality. We have followed his course for years--we have met him 'afore-time,' when quite other subjects of quarrel engaged him, and could have prophesied then with tolerable accuracy what part he would play when it came to a question between bayonets and prisons for the truth. As we have hinted, he is a splendid hater, and a ferocious antagonist, a prince of vituperators and a very vitriol-thrower of savage sarcasms at his enemies and those of humanity. And why should he not be all of this, when we consider that in the stage whereon his part of life is played a more delicate student of all the proprieties woul
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