ap. fin.), most
of the spectators must have brought stools with them or have seated
themselves on the ground.

12. III. XI. Separation of Orders in the Theatre

13. Women and children appear to have been at all times admitted to
the Roman theatre (Val. Max. vi. 3, 12; Plutarch., Quaest. Rom. 14;
Cicero, de Har. Resp. 12, 24; Vitruv. v. 3, i; Suetonius, Aug.
44,&c.); but slaves were -de jure- excluded (Cicero, de Har. Resp. 12,
26; Ritschl. Parerg. i. p. xix. 223), and the same must doubtless have
been the case with foreigners, excepting of course the guests of the
community, who took their places among or by the side of the senators
(Varro, v. 155; Justin, xliii. 5. 10; Sueton. Aug. 44).

14. III. XII. Moneyed Aristocracy

15. II. IX. Censure of Art

16. It is not necessary to infer from the prologues of Plautus (Cas.
17; Amph. 65) that there was a distribution of prizes (Ritschl,
Parerg. i. 229); even the passage Trin. 706, may very well belong to
the Greek original, not to the translator; and the total silence of
the -didascaliae- and prologues, as well as of all tradition, on
the point of prize tribunals and prizes is decisive.

17. The scanty use made of what is called the middle Attic comedy does
not require notice in a historical point of view, since it was nothing
but the Menandrian comedy in a less developed form. There is no trace
of any employment of the older comedy. The Roman tragi-comedy--after
the type of the -Amphitruo- of Plautus--was no doubt styled by the
Roman literary historians -fabula Rhinthonica-; but the newer Attic
comedians also composed such parodies, and it is difficult to see why
the Ionians should have resorted for their translations to Rhinthon
and the older writers rather than to those who were nearer to their
own times.

18. III. VI In Italy

19. Bacch. 24; Trin. 609; True. iii. 2, 23. Naevius also, who in
fact was generally less scrupulous, ridicules the Praenestines and
Lanuvini (Com. 21, Ribb.). There are indications more than once of a
certain variance between the Praenestines and Romans (Liv. xxiii. 20,
xlii. i); and the executions in the time of Pyrrhus (ii. 18) as well
as the catastrophe in that of Sulla, were certainly connected with
this variance. --Innocent jokes, such as Capt. 160, 881, of course
passed uncensured. --The compliment paid to Massilia in Cas. v. 4., i,
deserves notice.

20. Thus the prologue of the -Cistellaria- concludes with the
following w