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ence of an excess of alcohol is an advantage, as it prevents the rapid evaporation of the ether. Under the microscope, the film produced by collodion of good quality appears translucent and colourless. To preserve collodion it should be kept cool and out of the action of the light; iodized collodion that has been discoloured by the development of free iodine may be purified by the immersion in it of a strip of silver foil. For the iodizing of collodion, ammonium bromide and iodide, and the iodides of calcium and cadmium are the agents employed (see PHOTOGRAPHY). Collodion is used in surgery since, when painted on the skin, it rapidly dries and covers the skin with a thin film which contracts as it dries and therefore affords both pressure and protection. Flexible collodion, containing Canada balsam and castor oil, does not crack, but, on the other hand, does not contract. It is therefore of less value. Collodion is applied to small aseptic wounds, to small-pox pustules, and occasionally to the end of the urethra in boys in order to prevent nocturnal incontinence. Collodion and crystals of carbolic acid, taken in equal parts, are useful in relieving toothache due to the presence of a carious cavity. _Vesicating_ or _Blistering Collodion_ contains cantharidin as one of its constituents. The styptic colloid of Richardson is a strong solution of tannin in gun-cotton collodion. Similarly collodion may be impregnated with salicylic acid, carbolic acid, iodine and other substances. Small balloons are manufactured from collodion by coating the interior of glass globes with the liquid; the film when dry is removed from the glass by applying suction to the mouth of the vessel. M. E. Gripon found (_Compt. rend._, 1875) that collodion membranes, like glass, reflect light and polarize it both by refraction and reflection; they also transmit a very much larger proportion of radiant heat, for the study of which they are preferable to mica. COLLOT D'HERBOIS, JEAN MARIE (1750-1796), French revolutionist, was a Parisian by birth and an actor by profession. After figuring for some years at the principal provincial theatres of France and Holland, he became director of the playhouse at Geneva. He had from the first a share in the revolutionary tumult; but it was not until 1791 that he became a figure of importance. Then, however, by the publication of _L'Almanach du Pere Gerard_,[1] a little book setting forth, in homely style, the a
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