FREE BOOKS

Author's List




PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  
ly the successive steps that an artist would have taken in drawing the picture, or rather successive pictures, to illustrate the story. It is, however, urged that this pictorial order natural to deaf-mutes is not natural to the congenitally blind who are not deaf-mute, among whom it is found to be rhythmical. It is asserted that blind persons not carefully educated usually converse in a metrical cadence, the action usually coming first in the structure of the sentence. The deduction is that all the senses when intact enter into the mode of intellectual conception in proportion to their relative sensitiveness and intensity, and hence no one mode of ideation can be insisted on as normal to the exclusion of others. Whether or not the above statement concerning the blind is true, the conceptions and presentations of deaf-mutes and of Indians using sign language because they cannot communicate by speech, are confined to optic and, therefore, to pictorial arrangement. The abbe Sicard, dissatisfied with the want of tenses and conjunctions, indeed of most of the modern parts of speech, in the natural signs, and with their inverted order, attempted to construct a new language of signs, in which the words should be given in the order of the French or other spoken language adopted, which of course required him to supply a sign for every word of spoken language. Signs, whatever their character, could not become associated with words, or suggest them, until words had been learned. The first step, therefore, was to explain by means of natural signs, as distinct from the new signs styled methodical, the meaning of a passage of verbal language. Then each word was taken separately and a sign affixed to it, which was to be learned by the pupil. If the word represented a physical object, the sign would be the same as the natural sign, and would be already understood, provided the object had been seen and was familiar; and in all cases the endeavor was to have the sign convey as strong a suggestion of the meaning of the word as was possible. The final step was to gesticulate these signs, thus associated with words, in the exact order in which the words were to stand in a sentence. Then the pupil would write the very words desired in the exact order desired. If the previous explanation in natural signs had not been sufficiently full and careful, he would not understand the passage. The methodical signs did not profess to give him the ide
PREV.   NEXT  
|<   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142  
143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>   >|  



Top keywords:
natural
 
language
 
speech
 
methodical
 

successive

 

learned

 

passage

 

meaning

 

object

 

sentence


desired

 

spoken

 

pictorial

 

French

 

distinct

 

styled

 

explain

 
suggest
 
required
 

supply


character

 

adopted

 
represented
 

previous

 

explanation

 

sufficiently

 
profess
 

understand

 

careful

 
gesticulate

understood

 
physical
 

separately

 

affixed

 
provided
 

strong

 

suggestion

 

convey

 

endeavor

 

familiar


verbal

 
modern
 
intellectual
 

conception

 

intact

 

deduction

 

senses

 

proportion

 

ideation

 
intensity