FREE BOOKS

Author's List




PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  
] If we recall the psychological standpoint that the emotions are an organic disturbance of equilibrium occurring when factors difficult of reconciliation are brought to the attention, and if we have in mind that the association of the sexes has furnished so powerful an emotional disturbance as jealousy, it seems a simple matter to explain the comparatively mild by-play of sexual modesty as a function of wooing, without bringing either clothing or ornament into the question. We saw a minimum expression of modesty in the courtship of animals, where the modesty of the female was a form of fear on the organic side, but the accompanying movements of avoidance were, at the same time, a powerful attraction to the male. And we have in this, as in all expressions of fear--shame, guilt, timidity, bashfulness--an affective bodily state growing out of the strain thrown upon the attention in the effort of the organism to accommodate itself to its environment. The essential nature of the reaction is already fixed in types of animal life where the operation of disgust is out of the question, and in relations which imply no attention to the conduct of others. If any separation between the bodily self and the environment is to be made at all, it is putting the cart before the horse to make out that modesty is derived from our repugnance at the conduct of others, more immediately than through attention to the meaning of our own activities. The fallacy of the disgust theory lies, in fact, in the attempt to separate the copies for imitation derived from our own activities from those derived from our observation of the activities of others. When habits are set up and are running smoothly, the attention is withdrawn; and nakedness was a habit in the unclothed societies, just as it may become a habit now in the artist's model. But when, for any of the reasons I have outlined, women or men began to cover the body, then putting off the covering became peculiarly suggestive, because the breaking-up of a habit brings an act clearly into attention. And when dress becomes habitual in a society whose sense of modesty has also developed to a high degree, the suggestive effect is so great that the bare thought of unclothing the person becomes painful, and we have the possibility of such a phenomenon as mock modesty. But, so far as sexual modesty is concerned, the clothing has only reinforced the already great suggestive power of the sexual cha
PREV.   NEXT  
|<   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125  
126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   >>   >|  



Top keywords:

modesty

 

attention

 

sexual

 
activities
 

suggestive

 
derived
 

bodily

 

question

 
putting
 
disgust

conduct

 

clothing

 
environment
 
disturbance
 
powerful
 

organic

 

unclothed

 

societies

 

emotions

 
running

smoothly

 
withdrawn
 

nakedness

 

reasons

 

outlined

 

standpoint

 
artist
 
habits
 

equilibrium

 

fallacy


theory

 

occurring

 

meaning

 

immediately

 

observation

 

imitation

 

attempt

 
separate
 

copies

 

thought


unclothing
 

person

 
painful
 
effect
 
developed
 

degree

 

possibility

 
reinforced
 
concerned
 

phenomenon