old. His first
wife was the mother of another Robert, the poet's father, born in 1781.
When the boy had reached the age of seven he lost his mother, and five
years later his father married again. This younger Robert when a youth
desired to become an artist, but such a career was denied to him. He
longed for a University education, and, through the influence of his
stepmother, this also was refused. They shipped the young man to St
Kitts, purposing that he should oversee the West Indian estate. There,
as Browning on the authority of his mother told Miss Barrett, "he
conceived such a hatred to the slave-system ... that he relinquished
every prospect, supported himself while there in some other capacity,
and came back, while yet a boy, to his father's profound astonishment
and rage."[2] At the age of twenty-two he obtained a clerkship in the
Bank of England, an employment which, his son says, he always detested.
Eight years later he married Sarah Anna, daughter of William Wiedemann,
a Dundee shipowner, who was the son of a German merchant of Hamburg. The
young man's father, on hearing that his son was a suitor to Miss
Wiedemann, had waited benevolently on her uncle "to assure him that his
niece would be thrown away on a man so evidently born to be hanged."[3]
In 1811 the new-married pair settled in Camberwell, and there in a house
in Southampton Street Robert Browning--an only son--was born on May 7,
1812. Two years later (Jan. 7, 1814) his sister, Sarah Anna--an only
daughter--known in later years as Sarianna, a form adopted by her
father, was born. She survived her brother, dying in Venice on the
morning of April 22, 1903.[4]
Robert Browning's father and mother were persons who for their own sakes
deserve to be remembered. His father, while efficient in his work in the
Bank, was a wide and exact reader of literature, classical as well as
modern. We are told by Mrs Orr of his practice of soothing his little
boy to sleep "by humming to him an ode of Anacreon," and by Dr Moncure
Conway that he was versed in mediaeval legend, and seemed to have known
Paracelsus, Faustus, and even Talmudic personages with an intimate
familiarity. He wrote verses in excellent couplets of the eighteenth
century manner, and strung together fantastic rhymes as a mode of aiding
his boy in tasks which tried the memory. He was a dexterous draughtsman,
and of his amateur handiwork in portraiture and caricature--sometimes
produced, as it were, insti
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