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s was fourteen, and Theodore was not quite sixteen, a tremendous thing happened. Schabelitz, the famous violinist, came to Winnebago to give a concert under the auspices of the Young Men's Sunday Evening Club. The Young Men's Sunday Evening Club of the Congregational Church prided itself (and justifiably) on what the papers called its "auspices." It scorned to present to Winnebago the usual lyceum attractions--Swiss bell ringers, negro glee clubs, and Family Fours. Instead, Schumann-Heink sang her lieder for them; McCutcheon talked and cartooned for them; Madame Bloomfield-Zeisler played. Winnebago was one of those wealthy little Mid-Western towns whose people appreciate the best and set out to acquire it for themselves. To the Easterner, Winnebago, and Oshkosh, and Kalamazoo, and Emporia are names invented to get a laugh from a vaudeville audience. Yet it is the people from Winnebago and Emporia and the like whom you meet in Egypt, and the Catalina Islands, and at Honolulu, and St. Moritz. It is in the Winnebago living-room that you are likely to find a prayer rug got in Persia, a bit of gorgeous glaze from China, a scarf from some temple in India, and on it a book, hand-tooled and rare. The Winnebagoans seem to know what is being served and worn, from salad to veilings, surprisingly soon after New York has informed itself on those subjects. The 7:52 Northwestern morning train out of Winnebago was always pretty comfortably crowded with shoppers who were taking a five-hour run down to Chicago to get a hat and see the new musical show at the Illinois. So Schabelitz's coming was an event, but not an unprecedented one. Except to Theodore. Theodore had a ticket for the concert (his mother had seen to that), and he talked of nothing else. He was going with his violin teacher, Emil Bauer. There were strange stories as to why Emil Bauer, with his gift of teaching, should choose to bury himself in this obscure little Wisconsin town. It was known that he had acquaintance with the great and famous of the musical world. The East End set fawned upon him, and his studio suppers were the exclusive social events in Winnebago. Schabelitz was to play in the evening. At half past three that afternoon there entered Brandeis' Bazaar a white-faced, wide-eyed boy who was Theodore Brandeis; a plump, voluble, and excited person who was Emil Bauer; and a short, stocky man who looked rather like a foreign-born artisan--plumber or steam-f
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