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ed in sculpture on the facade above them? [Illustration: S. MARK'S FROM THE PIAZZA, THE MERCERIA CLOCK ON THE LEFT] The north facade of S. Mark's receives less attention than it should, although one cannot leave Cook's office without seeing it. The north has a lovely Gothic doorway and much sculpture, including on the west wall of the transept a rather nice group of sheep, and beneath it a pretty little saint; while the Evangelists are again here--S. Luke painting, S. Matthew looking up from his book, S. John brooding, and S. Mark writing. The doorway has a quaint interesting relief of the manger, containing a very large Christ child, in its arch. Pinnacled saints, with holy men beneath canopies between them, are here, and on one point the quaintest little crowned Madonna. At sunset the light on this wall can be very lovely. At the end of the transept is a tomb built against the wall, with lions to guard it, and a statue of S. George high above. The tomb is that of Daniele Manin, and since we are here I cannot avoid an historical digression, for this man stands for the rise of the present Venice. When Lodovico Manin, the last Doge, came to the throne, in 1788, Venice was, of course, no longer the great power that she had been; but at any rate she was Venice, the capital of a republic with the grandest and noblest traditions. She had even just given one more proof of her sea power by her defeat of the pirates of Algiers. But her position in Europe had disappeared and a terrible glow was beginning to tinge the northern sky--none other than that of the French Revolution, from which was to emerge a Man of Destiny whose short sharp way with the map of Europe must disturb the life of frivolity and ease which the Venetians contrived still to live. Then came Napoleon's Italian campaign and his defeat of Lombardy. Venice resisted; but such resistance was merely a matter of time: the force was all-conquering. Two events precipitated her fate. One was the massacre of the French colony in Verona after that city had been vanquished; another was the attack on a French vessel cruising in Venetian waters on the watch for Austrian men-of-war. The Lido fort fired on her and killed her commander, Langier. It was then that Napoleon declared his intention of being a second Attila to the city of the sea. He followed up his threat with a fleet; but very little force was needed, for Doge Manin gave way almost instantly. The capitu
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