of boar's
tusks are placed on the arms.
_Dances_.--Two dances, one ceremonial, the other suitable for all
occasions, are very popular.
The ceremonial dance known as _da-eng_ takes place at night, and is
carried on to the accompaniment of a song. [246] An equal number of
men and women take part. The women form a line facing a similar row
of men, about twenty feet distant. Locking arms about one another's
waists and with one foot advanced, they begin to sway their bodies
backwards and forwards. Suddenly they burst into song, at the same
time stepping forward with the left foot. Keeping perfect time to the
music, they take three steps toward the men, then retreat to their
original positions. The men then take up the song and in a similar
manner advance and retreat. This is repeated several times, after
which the two lines join to form a circle. With arms interlocked
behind one another's backs, and singing in unison, they begin to
move contra-clockwise. The left foot is thrown slightly backward
and to the side, and the right is brought quickly up to it, causing
a rising and falling of the body. The step, at first slow, becomes
faster and faster till the dancers have reached the limit of their
vocal and physical powers.
The _da-eng_ is sacred in character, is danced only at night and
then under the direction of the mediums. It is, however, in great
favor, and often so many of the younger people wish to take part
that double lines, or two or more groups, may be dancing at the same
time. It sometimes happens, when the _basi_ has been flowing freely,
that the participants become so boisterous and the pace so fast
that spectators are run down or the dancers are piled in a heap,
from which they emerge laughing and shouting.
The common dance, the _tadek_, is a part of nearly all gatherings of
a social and religious nature. The music for this dance usually is
made with three _gansas_ [247] and a drum. The _gansas_ are pressed
against the thighs of the players who kneel on the ground. Two of the
coppers are beaten with a stick and the palm of the hand, while the
third is played by the hands alone (Plate LXXXI, Fig. 2). The stick
or left hand gives the initial beat which is followed by three rapid
strokes with the right palm. A man and a woman enter the circle, each
holding a cloth about the size of a skirt. The man extends his cloth
toward the woman, and bringing it suddenly down, causes it to snap,
which is the signal to
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