ut the 'maitre a'hotel' suddenly turns to one of the
attendants, Bring another turbot,' said he, with the most perfect
coolness. The second appeared, and the eprouvette positive was
gloriously renewed." (Hayward's Art of Dining, P. 65.)]--

The First Consul prided himself a good deal on his triumph, at least in
appearance, over the scruples which the persons who surrounded him had
manifested against the re-establishment of worship. He read with much
self-satisfaction the reports made to him, in which it was stated that
the churches were well frequented: Indeed, throughout the year 1802, all
his attention wad directed to the reformation of manners, which had
become more dissolute under the Directory than even during the Reign of
Terror.

In his march of usurpation the First Consul let slip no opportunity of
endeavouring to obtain at the same time the admiration of the multitude
and the approbation of judicious men. He was very fond of the arts, and
was sensible that the promotion of industry ought to be the peculiar care
of the head of the Government. It must, however, at the same time be
owned that he rendered the influence of his protection null and void by
the continual violations he committed on that liberty which is the
animating principle of all improvement.

During the supplementary days of the year X., that is to say, about the
beginning of the autumn of 1802, there was held at the Louvre an
exhibition of the products of industry. The First Consul visited the
exhibition, and as even at that period he had begun to attribute every
good result to himself, he seemed proud of the high degree of perfection
the manufacturing arts had attained in France. He was, above all,
delighted with the admiration this exhibition excited among the numerous
foreigners who resorted to Paris during the peace.

In fact, throughout the year 1802 the capital presented an interesting
and animating-spectacle. The appetite for luxury and pleasure had
insinuated itself into manners--which were no longer republican, and the
vast number of Russians and English who drove about everywhere with
brilliant equipages contributed not a little to this metamorphosis.
All Paris flocked to the Carrousel on review days, and regarded with eyes
of delight the unusual sight of rich foreign liveries and emblazoned
carriages. The parties at the Tuileries were brilliant and numerous, and
nothing was wanting but the name of levees. Count Markoff, who