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won From the hard season gaining? Time will run On smoother, till Favonius re-inspire The frozen earth, and clothe in fresh attire The lily and rose, that neither sow'd nor spun. What neat repast shall feast us, light and choice, Of Attic taste, with wine, whence we may rise To hear the lute well-touched, or artful voice Warble immortal notes and Tuscan air? He who of these delights can judge, and spare To interpose them oft, is not unwise. In the last, 'On his deceased Wife,' the allusion to Alcestis is beautiful, and shows how the poet's mind raised and refined his thoughts by exquisite classical conceptions, and how these again were enriched by a passionate reference to actual feelings and images. It is this rare union that gives such voluptuous dignity and touching purity to Milton's delineation of the female character:-- Methought I saw my late espoused saint Brought to me like Alcestis from the grave, Whom Jove's great son to her glad husband gave, Rescued from death by force, though pale and faint. Mine, as whom wash'd from spot of child-bed taint Purification in the old law did save, And such, as yet once more I trust to have Full sight of her in Heav'n without restraint, Came vested all in white, pure as her mind: Her face was veil'd, yet to my fancied sight Love, sweetness, goodness in her person shined So clear, as in no face with more delight: But O as to embrace me she inclined, I waked, she fled, and day brought back my night. There could not have been a greater mistake or a more unjust piece of criticism than to suppose that Milton only shone on great subjects, and that on ordinary occasions and in familiar life his mind was unwieldy, averse to the cultivation of grace and elegance, and unsusceptible of harmless pleasures. The whole tenor of his smaller compositions contradicts this opinion, which, however, they have been cited to confirm. The notion first got abroad from the bitterness (or vehemence) of his controversial writings, and has been kept up since with little meaning and with less truth. His Letters to Donatus and others are not more remarkable for the display of a scholastic enthusiasm than for that of the most amiable dispositions. They are 'severe in youthful virtue unreproved.' There is a passage in his prose-works (the Treatise on Education) which shows, I think, his extreme openness and proneness to pleasing outward impressions in a striking point
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