Let us try. But in a matter like this, subtlety appeals to subtlety,
and without imagination no man can follow another into these halls. And
though, doubtless, some at least of the imaginative impressions about
to be presented may have been shared by most men, yet few perhaps were
entirely conscious of them at the time, and therefore may not be able to
recall them now.

Why to the man of untutored ideality, who happens to be but loosely
acquainted with the peculiar character of the day, does the bare mention
of Whitsuntide marshal in the fancy such long, dreary, speechless
processions of slow-pacing pilgrims, down-cast and hooded with
new-fallen snow? Or, to the unread, unsophisticated Protestant of the
Middle American States, why does the passing mention of a White Friar or
a White Nun, evoke such an eyeless statue in the soul?

Or what is there apart from the traditions of dungeoned warriors and
kings (which will not wholly account for it) that makes the White
Tower of London tell so much more strongly on the imagination of
an untravelled American, than those other storied structures, its
neighbors--the Byward Tower, or even the Bloody? And those sublimer
towers, the White Mountains of New Hampshire, whence, in peculiar moods,
comes that gigantic ghostliness over the soul at the bare mention of
that name, while the thought of Virginia's Blue Ridge is full of a soft,
dewy, distant dreaminess? Or why, irrespective of all latitudes and
longitudes, does the name of the White Sea exert such a spectralness
over the fancy, while that of the Yellow Sea lulls us with mortal
thoughts of long lacquered mild afternoons on the waves, followed by
the gaudiest and yet sleepiest of sunsets? Or, to choose a wholly
unsubstantial instance, purely addressed to the fancy, why, in reading
the old fairy tales of Central Europe, does "the tall pale man" of the
Hartz forests, whose changeless pallor unrustlingly glides through the
green of the groves--why is this phantom more terrible than all the
whooping imps of the Blocksburg?

Nor is it, altogether, the remembrance of her cathedral-toppling
earthquakes; nor the stampedoes of her frantic seas; nor the
tearlessness of arid skies that never rain; nor the sight of her wide
field of leaning spires, wrenched cope-stones, and crosses all adroop
(like canted yards of anchored fleets); and her suburban avenues of
house-walls lying over upon each other, as a tossed pack of cards;--it
is not thes