nvent, she took pleasure in the
society of the good sisters, who, to amuse her, took her to the chapel,
which one entered from the refectory by a long corridor. She played very
little during recreation hours, knew her catechism well, and it was she
who always answered Monsieur le Vicaire's difficult questions. Living
thus, without every leaving the warm atmosphere of the classrooms, and
amid these pale-faced women wearing rosaries with brass crosses, she
was softly lulled by the mystic languor exhaled in the perfumes of the
altar, the freshness of the holy water, and the lights of the tapers.
Instead of attending to mass, she looked at the pious vignettes with
their azure borders in her book, and she loved the sick lamb, the sacred
heart pierced with sharp arrows, or the poor Jesus sinking beneath the
cross he carries. She tried, by way of mortification, to eat nothing a
whole day. She puzzled her head to find some vow to fulfil.

When she went to confession, she invented little sins in order that she
might stay there longer, kneeling in the shadow, her hands joined,
her face against the grating beneath the whispering of the priest.
The comparisons of betrothed, husband, celestial lover, and eternal
marriage, that recur in sermons, stirred within her soul depths of
unexpected sweetness.

In the evening, before prayers, there was some religious reading in
the study. On week-nights it was some abstract of sacred history or
the Lectures of the Abbe Frayssinous, and on Sundays passages from the
"Genie du Christianisme," as a recreation. How she listened at first to
the sonorous lamentations of its romantic melancholies reechoing
through the world and eternity! If her childhood had been spent in the
shop-parlour of some business quarter, she might perhaps have opened
her heart to those lyrical invasions of Nature, which usually come to
us only through translation in books. But she knew the country too well;
she knew the lowing of cattle, the milking, the ploughs.

Accustomed to calm aspects of life, she turned, on the contrary, to
those of excitement. She loved the sea only for the sake of its storms,
and the green fields only when broken up by ruins.

She wanted to get some personal profit out of things, and she rejected
as useless all that did not contribute to the immediate desires of her
heart, being of a temperament more sentimental than artistic, looking
for emotions, not landscapes.

At the convent there was an o