Italian style, with two projecting
wings and three flights of steps, lay at the foot of an immense
green-sward, on which some cows were grazing among groups of large trees
set out at regular intervals, while large beds of arbutus, rhododendron,
syringas, and guelder roses bulged out their irregular clusters of
green along the curve of the gravel path. A river flowed under a bridge;
through the mist one could distinguish buildings with thatched roofs
scattered over the field bordered by two gently sloping, well timbered
hillocks, and in the background amid the trees rose in two parallel
lines the coach houses and stables, all that was left of the ruined old
chateau.
Charles's dog-cart pulled up before the middle flight of steps; servants
appeared; the Marquis came forward, and, offering his arm to the
doctor's wife, conducted her to the vestibule.
It was paved with marble slabs, was very lofty, and the sound of
footsteps and that of voices re-echoed through it as in a church.
Opposite rose a straight staircase, and on the left a gallery
overlooking the garden led to the billiard room, through whose door one
could hear the click of the ivory balls. As she crossed it to go to the
drawing room, Emma saw standing round the table men with grave faces,
their chins resting on high cravats. They all wore orders, and smiled
silently as they made their strokes.
On the dark wainscoting of the walls large gold frames bore at
the bottom names written in black letters. She read: "Jean-Antoine
d'Andervilliers d'Yvervonbille, Count de la Vaubyessard and Baron de la
Fresnay, killed at the battle of Coutras on the 20th of October,
1587." And on another: "Jean-Antoine-Henry-Guy d'Andervilliers de
la Vaubyessard, Admiral of France and Chevalier of the Order of St.
Michael, wounded at the battle of the Hougue-Saint-Vaast on the 29th of
May, 1692; died at Vaubyessard on the 23rd of January 1693." One could
hardly make out those that followed, for the light of the lamps lowered
over the green cloth threw a dim shadow round the room. Burnishing the
horizontal pictures, it broke up against these in delicate lines where
there were cracks in the varnish, and from all these great black squares
framed in with gold stood out here and there some lighter portion of the
painting--a pale brow, two eyes that looked at you, perukes flowing over
and powdering red-coated shoulders, or the buckle of a garter above a
well-rounded calf.
The Marquis o
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