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h a dexterity which appalled you until you reflected that he had been doing the same thing exactly, and nothing else, for perhaps a decade, he would draw in a section of a leaf, and if, as in my case, you happened to have a pretty sister attending the ladies' class in the school, he would add leaf to leaf until your whole paper was covered with his mechanical handiwork, in order to have a little extra conversation with you, although, I need scarcely add, it was not exclusively confined to the subject of art. This sort of thing was called "instruction in freehand drawing," and had to be endured and persisted in for months and months. Freehand! Shade of Apelles! What is there free in squinting and measuring, and feebly touching in and fiercely rubbing out a collection of straggling mechanical pencil lines on a piece of paper pinned on to a hard board, which after a few weeks becomes nothing but a confused jumble of fingermarks? Had I an Art School I would treat my students according to their individual requirements, just as a doctor treats his patients. I am led here to repeat what I have already observed in one of my lectures, that for the young the pill of knowledge should be silver-coated, and that while they are being instructed they should also be amused. In other words, interest your pupils, do not depress them. Giotto did not begin by rigidly elaborating a drawing of the crook of his shepherd's staff for weeks together; his drawings upon the sand and upon the flat stones which he found on the hillsides are said to have been of the picturesque sheep he tended, and all the interesting and fascinating objects that met his eye. Then, when his hand had gained practice, he was able to draw that perfect circle which he sent to the Pope as a proof of his command of hand. But the truth is that we begin at the wrong end, and try to make our boys draw a perfect circle before they are in love with drawing at all. For my part, I had to endure some weeks of weary struggling with a cone and ball and other chilly objects, the effect of which was to fill my mind with an overwhelming sense of the dreariness of art education under the Kensington system. A short time, therefore, sufficed to disgust me with the Art School, and I preferred to stay at home caricaturing my relatives, educating myself, and practising alone the rudiments of my art. [Illustration: A CARICATURE, MADE WHEN A BOY (NEVER PUBLISHED). DUBLIN EXHIBITION. POR
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