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Project Gutenberg's The Man In The High-Water Boots, by F. Hopkinson Smith This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Man In The High-Water Boots 1909 Author: F. Hopkinson Smith Release Date: December 3, 2007 [EBook #23701] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE MAN IN THE HIGH-WATER BOOTS *** Produced by David Widger THE MAN IN THE HIGH-WATER BOOTS By F. Hopkinson Smith 1909 Now and then in my various prowlings I have met a man with a personality; one with mental equipment, heart endowment, self-forgetfulness, and charm--the kind of charm that makes you glad when he comes and sorry when he goes. One was a big-chested, straight-backed, clear-eyed, clean-souled sea-dog, with arms of hickory, fingers of steel, and a brain in instant touch with a button marked "Experience and Pluck." Another was a devil-may-care, barefooted Venetian, who wore a Leporello hat canted over one eye and a scarlet sash about his thin, shapely waist, and whose corn teeth gleamed and flashed as he twisted his mustache or threw kisses to the pretty bead-stringers crossing Ponte Lungo. Still a third was a little sawed-off, freckled-faced, red-headed Irishman, who drove a cab through London fogs in winter, poled my punt among the lily-pads in summer, and hung wall-paper between times. These I knew and _loved_; even now the cockles of my heart warm up when I think of them. Others I knew and _liked_; the difference being simply one of personality. This time it is a painter who crosses my path--a mere lad of thirty two or three, all boy-heart, head, and brush. I had caught a glimpse of him in New York, when he "blew in" (no other phrase expresses his movement) where his pictures were being hung, and again in Philadelphia when some crushed ice and a mixture made it pleasant for everybody, but I had never examined all four sides of him until last summer. We were at Dives at the time, lunching in the open courtyard of the inn, three of us, when the talk drifted toward the young painter, his life at his old mill near Eure and his successes at the Salon and elsewhere. Our host, the Sculptor, had come down in his automobile--a lo
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