FREE BOOKS

Author's List




PREV.   NEXT  
|<   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141  
142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   >>   >|  
there is generally some fault either in the thing criticized or in the critic; for the distinctive characteristic of art is, that it is addressed to our _human_ nature, and excites its emotions. In the words of the great German poet:-- Science, O man, thou sharest with higher spirits; But art thou hast alone. Pure science must be the same to all orders of created beings, but, as far as our knowledge extends, the physical organization of humanity is required for a perception of the beauties of art: therefore physical excitement must be united with mental, in proportion as the work of art is successful. Do not then hope ever to be able to study poetry without a quickened pulse and a flushing cheek; you may as well leave it alone altogether, if it produces no emotion. It must be either rhyme and no poetry, or to you poetry can be nothing but rhyme. Think not, however, that I do wish you to leave it alone altogether; nothing could be farther from my purpose. There is some old saying about fire being a good servant, but a bad master. Now this is what I would say of the faculty of imagination, as cultivated and excited by works of fiction in general, including, of course, poetic fictions. As long as you can keep your imagination, even though thus quickened and excited, under the strict control of religious feeling--as long as you are able to prevent its rousing your temper to an uncontrollable degree of susceptibility--as long as you can return from an ideal world to the lowly duties of every-day life with a steady purpose and unflinching determination, there can be no danger for you in reading poetry. Perhaps you will, on the contrary, tell me that all this is impossible, and, coward-like, you may prefer resigning the pleasure to encountering the difficulties of struggling against its consequences: but this is not the way either to strengthen your character or to form your mind. All cultivation requires watchfulness and additional precautions, either more or less: you must not, for the sake of a few superable difficulties, resign the otherwise unattainable refinement effected by poetry. Besides, its exalting and ennobling influence, if properly understood and employed, will help you incalculably over the rugged paths of your daily life; it will shed softening and hallowing gleams over many things that you would otherwise find difficult to endure, many duties otherwise too hard to fulfil; for there is poetry i
PREV.   NEXT  
|<   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141  
142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   >>   >|  



Top keywords:
poetry
 

physical

 

purpose

 
duties
 
excited
 
difficulties
 

quickened

 

altogether

 

imagination

 

Perhaps


contrary
 
impossible
 

coward

 

reading

 

prevent

 

rousing

 

temper

 

feeling

 

religious

 

strict


control
 

uncontrollable

 

degree

 
steady
 

unflinching

 
determination
 
susceptibility
 

return

 

danger

 

employed


incalculably

 

rugged

 
understood
 
properly
 

Besides

 
effected
 

exalting

 

ennobling

 

influence

 

endure


fulfil

 

difficult

 
softening
 

hallowing

 
gleams
 
things
 

refinement

 

unattainable

 
consequences
 

strengthen