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NTS PER VOLUME. * * * * * _NOW READY._ DEAD MAN'S ROCK. By Q. A QUEER RACE. By WM. WESTALL. MRS. PEIXADA. By SIDNEY LUSKA. JOHN PARMELEE'S CURSE. By JULIAN HAWTHORNE. AS IT WAS WRITTEN.--A Jewish Musician's Story. By SIDNEY LUSKA. WHO IS GUILTY? By PHILIP WOOLF, M.D. WANTED--A SENSATION; A Saratoga Incident. By EDWARD S. VAN ZILE. A MORAL SINNER. By MYRTILLA N. DALY. SCRUPLES. By MRS. J. H. WALWORTH. MARVELOUS IN OUR EYES. By EMMA E. HORNIBROOK. CALAMITY JANE. By MRS. G. E. SPENCER. WITNESS MY HAND. By the author of "Lady Gwendolen's Tryst." A PRINCE OF DARKNESS. By FLORENCE WARDEN. KING SOLOMON'S MINES. By H. RIDER HAGGARD. NATASQUA. By REBECCA HARDING DAVIS. OLD FULKERSON'S CLERK. By MRS. J. H WALWORTH. OUR SENSATION NOVEL. Edited by JUSTIN H. MCCARTHY, M.P. MORGAN'S HORROR. By GEORGE MANVILLE FENN. A CRIMSON STAIN. By ANNIE BRADSHAW. _OTHER VOLUMES IN PREPARATION._ CASSELL & COMPANY, LIMITED, 102 and 104 Fourth Avenue, New York. End of the Project Gutenberg EBook of John Bull, Junior, by Max O'Rell *** END OF THIS PROJECT GUTENBERG EBOOK JOHN BULL, JUNIOR *** ***** This file should be named 33564.txt or 33564.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/3/5/6/33564/ Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They
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