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were an indispensable reservoir of strength to the great invalid. Without it the world would never have had the "Origin of Species" or the "Descent of Man." Other instances throng to mind. I have small doubt that Charles Eliot Norton was the silent partner of Carlyle, Ruskin, and Lowell; Ste. Clare of Francis of Assisi; Joachim and Billroth of Brahms, and Dorothy Wordsworth of William. By a pleasant coincidence, I had no sooner noted down the last of these names than I came upon this sentence in Sarah Orne Jewett's Letters: "How much that we call Wordsworth himself was Dorothy to begin with." And soon after, I found these words in a letter which Brahms sent Joachim with the score of his second "Serenade": "Care for the piece a little, dear friend; it is very much yours and sounds of you. Whence comes it, anyway, that music sounds so friendly, if it is not the doing of the one or two people whom one loves as I love you?" The impressionable Charles Lamb must have had many such partners besides his sister Mary. Hazlitt wrote: "He is one of those of whom it may be said, 'Tell me your company, and I'll tell you your manners.' He is the creature of sympathy, and makes good whatever opinion you seem to entertain of him." Perhaps the most creative master by proxy I have ever known was the wife of one of our ex-Presidents. To call upon her was to experience the elevation and mental unlimbering of three or four glasses of champagne, with none of that liquid's less desirable after-effects. I should not wonder if her eminent husband's success were not due as much to her creativeness as to his own. It sometimes happens that the most potent masters in their own right are also the most potent masters by proxy. They grind out more power than they can consume in their own particular mill-of-the-gods. I am inclined to think that Sir Humphry Davy was one of these. He was the discoverer of chlorine and laughing-gas, and the inventor of the miner's safety lamp. He was also the _deus ex machina_ who rescued Faraday from the bookbinder's bench, made him the companion of his travels, and incidentally poured out the overplus of his own creative energy upon the youth who has recently been called "perhaps the most remarkable discoverer of the nineteenth century." Schiller was another of these. "In more senses than one your sympathy is fruitful," wrote Goethe to him during the composition of "Faust." Indeed, the greatest Master known to
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