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those of his first pieces, and of like intensity and boldness; and that Leo Ornstein is sure of reaching the high heaven of art for which he seemed and still seems bound. Bloch Once before, East and West have met and merged. On the plains where the soldiers of Darius and Alexander slaughtered one another, and where the Macedonian phalanxes recoiled before the castellated elephants of Porus, a marriage was consummated. Hovering over the heads of the opposing armies, the angel of Europe and the angel of Asia embraced, and sent their lifebloods coursing through each other. Passage was made to India. The two continents slowly faced about. Two reservoirs that had been accumulating for eons the precious distillations of two great centers of the human race began mingling their essences. In whatever the East did, there was evident the hand of the West. In whatever the West thought there was visible the prismatic intelligence of the East. The gods of Greece showed their smooth foreheads on the banks of the Ganges. Oriental systems refracted the blonde Mediterranean light into an hundred subtle tints. But the empire of Alexander crumbled, Parthians annihilated the legions of Crassus. Persians and Seljuks and Ottomans barred Europe from the East. Steady communication ceased. Asia withdrew under her cloudy mysterious curtains. Legendary fumes, Cathay, Zipango, the Indias of the Great Ocean, arose. Once again, the two basins were cut off. Once again, each began secreting a substance radically different from the other's, a substance growing more individual with each elapsing century. For almost two thousand years, East and West developed away one from the other. And now, a second time, in our own hour, the two have drawn close and confronted each other. Once again, a fusion has taken place. We are to-day in the midst of a movement likely to surpass the period of Hellenization in duration and extent. This time, perhaps, no dramatic march of Macedonians to the banks of the Indus has served to make the connection. Nevertheless, in the image of Amy Lowell, guns have again shown themselves keys. For a couple of centuries, great gates have been swinging throughout the East at the behest of frigates and armed merchantmen. And slowly, once again, Asia has been seeping into Europe. Warm spicy gusts have been drifting over the West, steadily permeating the air. At first, there appeared to be nothing serious in the infiltration.
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