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member A. B., the chance acquaintance of ten years ago, it is not because my idea of A. B. is very vivid--on the contrary, it is extremely faint--but because that idea is associated with ideas of impressions co-existent with those which I call A. B.; and that all these are at the end of the long series of ideas, which represent that much past time. In truth I have a much more vivid idea of Mr. Pickwick, or of Colonel Newcome, than I have of A. B.; but, associated with the ideas of these persons, I have no idea of their having ever been derived from the world of impressions; and so they are relegated to the world of imagination. On the other hand, the characteristic of an imagination may properly be said to lie not in its intensity, but in the fact that, as Hume puts it, "the arrangement," or the relations, of the ideas are different from those in which the impressions, whence these ideas are derived, occurred; or in other words, that the thing imagined has not happened. In popular usage, however, imagination is frequently employed for simple memory--"In imagination I was back in the old times." It is a curious omission on Hume's part that, while thus dwelling on two classes of ideas, _Memories_ and _Imaginations_, he has not, at the same time, taken notice of a third group, of no small importance, which are as different from imaginations as memories are; though, like the latter, they are often confounded with pure imaginations in general speech. These are the ideas of expectation, or as they may be called for the sake of brevity, _Expectations_; which differ from simple imaginations in being associated with the idea of the existence of corresponding impressions, in the future, just as memories contain the idea of the existence of the corresponding impressions in the past. The ideas belonging to two of the three groups enumerated: namely, memories and expectations, present some features, of particular interest. And first, with respect to memories. In Hume's words, all simple ideas are copies of simple impressions. The idea of a single sensation is a faint, but accurate, image of that sensation; the idea of a relation is a reproduction of the feeling of co-existence, of succession, or of similarity. But, when complex impressions or complex ideas are reproduced as memories, it is probable that the copies never give all the details of the originals with perfect accuracy, and it is certain that they rarely do so. No one
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