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d wore a splendid chain; or he may have been the poorest and most miserable wretch of his time. It matters not; he has escaped the dust--he is a mummy. Somehow he contrives to look superior, as if he was conscious of the fact and proud of it; he cannot smile, or nod, or wink, but he can look superior. One more church and one more scene, and I have done. There is a church on the south side of Thames Street, close to the site of the Steelyard--_i.e._, almost under the railway arches which lead to Cannon Street. It is not very much to look at. With one exception, indeed, it is the ugliest church in the whole of London City. It is a big oblong box, with round windows stuck in here and there. Wren designed it, I believe, one evening after dinner, when he had taken a glass or two more than his customary allowance of port or mountain. It is the church of All Hallows the Great combined with All Hallows the Less. Before the Fire it was a very beautiful church, with a cloister running round its churchyard on the south, and to the east looking out upon the lane that led to Cold Harbour House. This is the church to which the Hanseatic merchants for three hundred years came for worship. Very near the church, on the river bank, stood the Waterman's Hall. To this church, therefore, came the 'prentices of the watermen every Sunday. The Great Fire carried it away, with Steelyard, cloister, church, Waterman's Hall, Cold Harbour House, and everything. Then Wren, as I said, took a pencil and ruler one evening, and showed how a square box could be constructed on the site. Now, let no man judge by externals. If you can get into the church, you will be rewarded by the sight of an eighteenth-century church left exactly as it was in those days of grave and sober merchants, and of City ceremonies and church services attended in state. On the north side, against the middle of the wall, is planted what we now most irreverently call a Three Decker. But we must not laugh, because of all Three Deckers this is the most splendid. There is nothing in the City more beautiful than the wood-carving which makes pulpit, sounding-board, reading-desk, and clerk's desk in this church precious and wonderful. The old pews, which, I rejoice to say, have never been removed, are many of them richly and beautifully carved. The Pew of State, reserved for the Lord Mayor and the Sheriffs, is a miracle of art. Across the very middle of the church is a screen in carve
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