urdities among the
newsmongers; although as much can hardly be said for "The Magnetic
Lady," who, in her bounty, draws to her personages of differing humours
to reconcile them in the end according to the alternative title, or
"Humours Reconciled." These last plays of the old dramatist revert to
caricature and the hard lines of allegory; the moralist is more than
ever present, the satire degenerates into personal lampoon, especially
of his sometime friend, Inigo Jones, who appears unworthily to have used
his influence at court against the broken-down old poet. And now disease
claimed Jonson, and he was bedridden for months. He had succeeded
Middleton in 1628 as Chronologer to the City of London, but lost the
post for not fulfilling its duties. King Charles befriended him, and
even commissioned him to write still for the entertainment of the court;
and he was not without the sustaining hand of noble patrons and devoted
friends among the younger poets who were proud to be "sealed of the
tribe of Ben."

Jonson died, August 6, 1637, and a second folio of his works, which
he had been some time gathering, was printed in 1640, bearing in its
various parts dates ranging from 1630 to 1642. It included all the plays
mentioned in the foregoing paragraphs, excepting "The Case is Altered;"
the masques, some fifteen, that date between 1617 and 1630; another
collection of lyrics and occasional poetry called "Underwoods, including
some further entertainments"; a translation of "Horace's Art of Poetry"
(also published in a vicesimo quarto in 1640), and certain fragments and
ingatherings which the poet would hardly have included himself. These
last comprise the fragment (less than seventy lines) of a tragedy called
"Mortimer his Fall," and three acts of a pastoral drama of much beauty
and poetic spirit, "The Sad Shepherd." There is also the exceedingly
interesting 'English Grammar' "made by Ben Jonson for the benefit of all
strangers out of his observation of the English language now spoken and
in use," in Latin and English; and 'Timber, or discoveries' "made upon
men and matter as they have flowed out of his daily reading, or had
their reflux to his peculiar notion of the times." The 'Discoveries',
as it is usually called, is a commonplace book such as many literary
men have kept, in which their reading was chronicled, passages that took
their fancy translated or transcribed, and their passing opinions noted.
Many passage of Jonson's 'Di