were _Darie_, _Aristandre_,
_Diotrephe_, _Cleoreste_ (of which as well as of _Palombe_ analyses may
be found in Koerting). The last would seem to be the most interesting.
But in the bibliography of the Bishop's writings there are at least a
dozen more titles of the same kind.
[210] Cf. the "self-precipitation" of Celadon. Perhaps no class of
writers has ever practised "imitation," in the wrong sense, more than
these "heroic" romancers.
[211] I am glad to find the high authority of my friend Sir Sidney
Colvin on my side here as to the wider position--though he tells me that
he was not, when he read _Endimion_, conscious of any positive
indebtedness on Keats' part.
[212] _V. sup._ p. 177, note 3.
[213] Gombauld seems to have been a devotee of both Queens: and
commentators will have it that this whole book is courtship as well as
courtiership in disguise.
[214] A kind of intermediary nymph--an enchantress indeed--who has
assisted and advised him in his quests for the goddess.
[215] Emile Magne, _Mme. de V._, Paris, 1907.
[216] This sometimes causes positive obscurity as to fact. Thus it is
impossible to make out from M. Magne whether Hortense, in her last days,
actually married the cousin with whom she had been intimate in youth, or
merely lived with him.
[217] By M. H. E. Chatenet, Paris, 1911.
[218] There is a little in the verse, most of which belongs to the
"flying" kind so common in the century.
[219] _V. inf._ upon it.
[220] His own admirable introduction to Perrault in the Clarendon Press
series will, as far as our subject is directly concerned, supply
whatever a reader, within reason further curious, can want: and his
well-known rainbow series of Fairy Books will give infinite
illustration.
[221] The longest of all, in the useful collection referred to in the
text, are the _Oiseau Bleu_ and the charming _Biche au Bois_, each of
which runs to nearly sixty pages. But both, though very agreeable, are
distinctly "sophisticated," and for that very reason useful as gangways,
as it were, from the simpler fairy tale to the complete novel.
[222] Enchanters, ogres, etc. "count" as fairies.
[223] Apuleius, who has a good deal of the "fairy" element in him, was
naturally drawn upon in this group. The _Psyche_ indebtedness reappears,
with frank acknowledgment, in _Serpentin Vert_.
[224] If Perrault really wrote this, the Muses, rewarding him elsewhere
for the good things he said in "The Quarre
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