FREE BOOKS

Author's List




PREV.   NEXT  
|<   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199  
200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   >>   >|  
udery, have not refused to learn it or have not carelessly forgotten the learning. Even Scott committed the fault sometimes, though never in his very best work. Dumas--when he went out and left the "young men" to fill in, and stayed too long, and made them fill in too much--did it constantly. Yet again, that mixture of excess and defect in talking, which has been noted already, becomes more and more trying in connection with the previously mentioned faults and others. Of _mere_ talk there is enough and immensely to spare; but it is practically never real dialogue, still less real conversation. It is harangue, narrative, soliloquy, what you will, in the less lively theatrical forms of speech watered out in prose, with "passing of compliments" in the most gentlefolkly manner, and a spice of "Phebus" or Euphuism now and then. But it is never real personal talk,[160] while as for conveying the action _by_ the talk as the two great masters above mentioned and nearly all others of their kind do, there is no vestige of even an attempt at the feat, or a glimpse of its desirableness. Again, one sees before long that of one priceless quality--a sense of humour--we shall find, though there is a little mild wit, especially in the words of the ladies named in the note, no trace in the book, but a "terrible _minus_ quantity." I do not know that the late Sir William Gilbert was a great student of literature--of classical literature, to judge from the nomenclature of _Pygmalion and Galatea_ mentioned above, he certainly was not. But his eyes would surely have glistened at the unconscious and serious anticipation of his own methods at their most Gilbertian, had he ever read pp. 308 _sqq._ of this first volume. Here not only do Cyrus and a famous pirate, by boarding with irresistible valour on each side, "exchange ships," and so find themselves at once to have gained the enemy's and lost their own, but this remarkable manoeuvre is repeated more than twenty times without advantage on either side--or without apparently any sensible losses on either side. From which it would appear that both contented themselves with displays of agility in climbing from vessel to vessel, and did nothing so impolite as to use their "javelins, arrows, and cutlasses" (of which, nevertheless, we hear) against the persons of their competitors in such agility on the other side. It did come to an end somehow after some time; but one is quite certain that if Mr. C
PREV.   NEXT  
|<   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199  
200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223   224   >>   >|  



Top keywords:
mentioned
 
vessel
 
agility
 

literature

 

famous

 

volume

 

unconscious

 
William
 

Gilbert

 
student

classical

 

terrible

 

quantity

 

nomenclature

 
pirate
 

anticipation

 

methods

 

glistened

 

surely

 

Pygmalion


Galatea

 

Gilbertian

 

persons

 

competitors

 
cutlasses
 
arrows
 
climbing
 

impolite

 
javelins
 

displays


contented

 
gained
 
remarkable
 

valour

 
irresistible
 

exchange

 

manoeuvre

 

repeated

 

losses

 

apparently


twenty

 

advantage

 

boarding

 
faults
 

previously

 
carelessly
 

forgotten

 

connection

 

immensely

 

soliloquy