out a superlatively great and beautiful
artist, yet we must not forget that Velazquez, only eighteen years his
senior, and like himself a native of Seville, lived during the greater
part of Murillo's lifetime and divided honors with him. As has already
been indicated, Velazquez's art was of a very different sort from
Murillo's. He was born into a home of plenty, and very soon went to
Madrid as court painter. We know how he gained renown for all time by
the accuracy of the portraits he painted of various members of the
court of Philip IV.--the king, the minister, Count Olivarez, the
princes, the dwarfs, and the buffoons. We remember, too, how he
thought that very ordinary personage, "_The Water-Carrier of
Seville_," with his wrinkles, his joy, and his beggarly customers, a
subject worth painting. Then we recall a goodly list of other
commonplace subjects which he treated so truthfully that they will
always stand among the great pictures of the world,--"_The Spinners_,"
where women labor in a dingy room, "_The Topers_," "_The Lances_,"
representing the great surrender of Breda, and the "_The Maids of
Honor_." Nor can we forget his ideal portrait of "_AEsop_," with his
book under his arm. How well we know that book of fables! The rugged,
good-natured face, homely as can be, holds us, as by a spell, and if
we have not already done so, we read his book because we _must_, after
looking into that dear old face.
One of the loveliest things we remember of Velazquez was his kindness
to Murillo when he came to Madrid, a poor art student. Although
Velazquez was rich and his pictures in demand, he took a keen interest
in the young Murillo, who should one day stand beside him--they two
the greatest artists of Spain. By the duties of his office, he was
obliged to take an active part in the festivities attending the
marriage of Louis XIV. and the Infanta, Maria Theresa, in 1660. The
fatigue and exposure caused his death. We are reasonable in presuming
that thus was Spain robbed of ten years of a strong artist's life and
work. Incomparable loss when we think of what his countrymen gained in
watching a passing pageant.
[Illustration: CATHEDRAL, SEVILLE, SHOWING THE GIRALDA TOWER.]
Spain is a land of unique cities. Perhaps this is because in so many
of them the works of Christianity were grafted on to works originally
built or begun by the Moors. As we study the wonderful buildings of
Spain, we cannot forget, however much we may a
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